Wrapping Up 2020 with a Trio of International Exhibits

Jacmel Arts Center has teamed up with our partners, Indy Convergence, to close out the 2020 year with three exhibits. These exhibits are inspired by the Guede traditions of Haiti and represent the strength that it found in Haiti’s connection to our ancestors and the spirits. The first two exhibits, “Across the Bridge”, and “Through the Gateway” are in person exhibits on view at locations in Indianapolis, Indiana. “Across the Bridge” is on view at The Garfield Park Arts Center and “Through the Gateway” can be seen at the District Theatre gallery. The third exhibit in the series is a new group virtual exhibit, “At the Threshold”. This exhibit can be viewed in our virtual gallery space on Exhibbit.

Guede begins at the beginning of November as the celebration of all sacred souls. It is an especially meaningful season to spotlight Haitian culture because it is one of the most significant times of year in Haiti when the lines between life and death are blurred and communion with the ancestors guides the living. It is a time of year when those on this earth are invited to stand at the threshold, pass through the gateway, and cross the bridge between this life and the next. We are invited to do so at the guidance and assistance of the “guede” who are the spirits that govern the afterlife and provide us all with connections to our past and those who have made the transition before us.

The art featured in these exhibits expresses the vibrant colors, the powerful energy, and the strong connection that the Haitian people have with the spirit world. Through this art one can see the spirits themselves depicted, but also the human and natural world of Haitian’s everyday lives that cannot be separated from that which is spiritual, and abstract expressions of color that translate emotions into visual form. Every work of art created in Haiti is the product of channeling the spirits themselves to work through the mind and the hands of the artist. Through viewing these works we hope that you are able to cross the bridge yourself and connect with something beyond this world.

View “At The Threshold” here.

View a video tour of “Across the Bridge” here.

View a video tour of “Through the Gateway” here.

In addition to these three group exhibitions, we also have a new solo show on view now in our virtual solo gallery. This new solo exhibit features the work of SAJ member artist, Joanne Celestin. You can view Joanne’s solo exhibit here.

Two New Virtual Shows


We are excited to share two new virtual shows with you in our online galleries!

Our first is our new group show by a selection of our member artists. This exhibit is titled “RESPIRE”. “Respire” is the Kreyol word meaning, “to breathe”. The act of breathing can easily be taken for granted, but in times of pandemics and violence it has become more precious and also more dangerous. We must consider the consequences and the gift of every breath that we take. We chose this as the title for our current showcase of SAJ member art because to our artists, art is breath, it is life. We hope that our art can be a breath of fresh air to those who view it. Inhale. Exhale. And enjoy this exhibit which is full of life and color, as usual with Jacmellien art, but also includes quieter moments to pause and reflect. Breathe.

Click here to view RESPIRE


The second virtual exhibit is a solo show by SAJ member artist, Sevenson Joseph. Sevenson’s work combines mystical and abstract styles and has been exhibited around the world including in Paris, New York, and Miami.

Click here to view the Sevenson Joseph Solo Exhibit

The art in both exhibits is available for purchase and also available for exhibit in the US. Contact The Jacmel Arts Center for more details.

In Memory of Jacques Pierre, Boubout

IMG_1258On the night of Tuesday, May 5th 2020, we lost a dear member of our Jacmel Arts community. Jacques Pierre, better known to his friends as Ti Boubout, died at the St. Michel hospital in Jacmel from undiagnosed illness. He was 54 at the time of his death and was a well respected member of the creative community in Jacmel and had been active at the Jacmel Arts Center since its founding in 2003. He was renown worldwide for his paintings that depicted powerful and often comical commentary on politics and social issues. He also liked to portray imagery from his country’s vodou traditions as well as make recycled sculpture from found objects. His work can be found in private and public collections around the globe including at the Waterloo Center for the Arts in Waterloo, Iowa, and at the historic Hotel Florita in Jacmel.

95995980_136315848005034_3539289468378808320_nThe artists at Jacmel Arts Center were Boubout’s closest family. He was a constant presence at the space and could usually be found sitting out front sharing jokes with our other artists or in the back yard enjoying the breeze from the sea and playing dominoes with the vendors there. He was always ready to give visitors a tour of the center or the neighborhood, well known among all gallery and shop owners in the area as someone who loved nothing more than sharing the culture of his home city. His smiling face and positive attitude will be missed at the center, but we know that his spirit will live on through the artistic legacy that he leaves behind and the difference that he made in the lives of all who had the privilege to know him.

In his memory, we at the Jacmel Arts Center are doing what we can to document that artistic legacy of his. In this effort, we ask that if anyone owns one of Jacques Pierre’s artworks or knows of where there might be works of his in public or private collections, please email us with images and information about these works. We have also established a memorial fund for Jacques Pierre to help cover the costs of his funeral and to commemorate our brother at the Jacmel Arts Center. You can donate to this fund here. Thank you.

Images below: Image on Left is Courtesy of The Waterloo Center for the Arts, Image on Right is from Hotel Florita



Baron Kriminel through the Eyes of Jacmel Artists

Baron Kriminel is a spirit in Haitian Vodou tradition that is considered to be the Saint of all Criminals, but also considered a spirit of justice and custodian of the cemetery. He is closely related to other Guede lwa including Baron Samedi, Baron LaCroix, and Gran Brijit, but he is also much more feared due to his violent and unpredictable nature. Those who know Baron Kriminel, however, would suggest that there is no reason to fear him unless you are guilty. The innocent never have a reason to experience Baron Kriminel’s fierce brand of justice. He is often called upon only when our worldly systems of justice fail and more extreme measures are required. When Baron Kriminel shows up he forces everyone to question what is right and what is wrong, who is truly guilty and who is innocent? In his presence it’s harder to identify who are the good guys and the bad guys and what separates them.

He is a lesser known spirit who is often considered to lurk in the darkest shadows of the culture. Because Baron Kriminel is so mysterious by nature and so seldom expressed in visual form in contemporary culture, he appealed to some friends of the Jacmel Arts Center as the subject for a unique project that over 30 of our member artists have participated in over the past two years. The group of SAJ patrons from Washington DC commissioned many of our artists to interpret this character through their own artistic style and each artist came up with a truly unique perspective, some creating multiple depictions. The result is a diverse collection of almost 50 paintings, no two looking alike, but all with the same source of inspiration. While most of the works feature Baron Kriminel directly, others also show his guede spirit friends from the cemetery and others even create hybrid imaginary spirits based on specific requests. This prompt pushed a lot of our artists beyond the comfort zones of their usual subject matter and drew a new sense of creativity from them.

In the slideshow below you can view the images of what the artists created. Most paintings are 16″x20″ with a few variations. These works now belong to the private collections of our friends in Washington DC that commissioned them.

If you have any creative ideas for projects like this for our artists to take on, please contact us to discuss possible collaborations or commissions.



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Art to Carry us through the Crisis


Perhaps more than anyone else in the world, the people of Haiti, and the artists of the Jacmel Arts Center know how to survive a crisis. From before the time we were even a country, we have been using the power of our culture to overcome whatever challenge the world throws our way. Even in the last ten years since the devastating earthquake shook our nation, we have faced outbreaks of cholera, zika, chikungunya, and more, in addition to economic and political upheaval that has been unrelenting resulting in widespread insecurity. In these difficult times, though, is when Haitians know to root themselves in the strength of their ancestors and stand firmly upon the history that has brought them this far. Through it all, the culture of Haiti flourishes and expresses the spirit of the people that refuses to be defeated.

Now we have come to face a new crisis with COVID-19. This is a different kind of crisis as it is worldwide and affecting nations across the globe. In other times of crisis Haiti has been able to lean on the support of the international community, but when faced with a threat this comprehensive, we can’t depend on the aid of other nations that are suffering themselves. The country of Haiti is taking extreme measures to protect its population from the spread of the virus, but no one can predict exactly how it will play out as more cases become confirmed. The health system of the country is not prepared to respond to a crisis on the scale of which has been seen elsewhere around the world. This leaves us all in a very uncertain place as we monitor the situation and do what we can to protect ourselves and those within our organization.

At this time, the Jacmel Arts Center has closed to the public and we are not currently holding any classes, rehearsals, or other group gatherings within our space. It has become a time for us to re-evaluate how we present the art and culture from our community to the public. The way that the world consumes art is changing and adapting to everyone’s new normal. Our artists continue to produce new work from their homes as they are able and we will continue to share that work through our online channels including Facebook, Instagram, and YouTube. We will also take this time to share more images and videos from our archives to give you more ways to experience the culture from wherever you are. The opportunity to sell work and generate support for cultural initiatives online has become essential to our artists as galleries and exhibits are currently closed and performances, workshops, and classes have been cancelled. The only way for them to gain an income at this time to support their families is through online sales or donations. So please review our online offerings and consider whether you are able to contribute in that way during this time. We also remind you that we have a large inventory of artwork available for sale and shipping already in the United States. You can contact us at anytime for more details on purchasing any of the artwork that you see online.

The biggest challenge that our artists will face at this time, as with all Haitians, in addition to the possibility of falling ill, will be the threat of hunger. With the economy on lockdown due to COVID-19, many of our artists will struggle to feed and care for their families. Going out to buy supplies at the market has become impossible and without the opportunity for sales or other income, they are unable to buy the food and provide for their families most basic needs. We will be using any donations to our Emergency Fund to help our artists out with these basic needs during this time. Your contributions are greatly appreciated.

We know that this is a difficult time for everyone all over the world and we are grateful that you continue to keep the artists of Jacmel in your hearts and minds. We will continue to keep all of our friends in our prayers as well as we all confront this global crisis together. We will be here during and after the crisis to keep sharing the art and culture of our community and nation that have brought us through life thus far.

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April Artist of the Month – Jean Marie Eduoard Vital


On January 2nd, 1958, Jean Marie Eduoard Vital was born into Jacmel’s most famous family of artists. His father was Pauleus Vital and his uncle was Prefet Duffaut, both of whom were involved in the early movements to define the iconic styles of art coming from the region. As the proud bearer of the family’s artistic legacy to this day, Vital believes passionately in keeping the identity of Jacmel arts alive. His father taught him how to paint when he was young, but he didn’t pursue painting professionally until after his father’s death in 1984. He was the only one of his siblings that had the talent and interest to carry on the tradition. He is the father of four adult children himself and is dedicated to charting a path for the arts to keep holding on to their importance in the region far into the future.

IMG_1549In his own art he continues to work in a similar style to his father which imagines animals and nature in whimsical surrealist scenes that come alive before the viewer. He paints environments where hierarchies between the human, animal, natural, and spiritual worlds are all broken down and the realm of what is possible is expanded. At first glance, many of his paintings may resemble idealistic Haitian style landscapes, but on closer inspection the viewer always finds unexpected characters and ways that the land transforms to make you question what you see. Vital also likes to draw upon his culture’s traditions of voudun that influence daily lives in Haiti. By introducing the presence of spirits and supernatural creatures he further challenges the viewer to reinterpret the world around them that they live in.

IMG_0351Vital acknowledges all of the challenges that face artists in Haiti but never gives up hope. He says that if the politicians, local leaders, and institutions in his country would realize the value of the arts and provide better support, the artists would be equipped to really build a better society. They lack the tools and the access to resources necessary, but they don’t lack the passion or ideas. Despite this, Vitale says, “Even when things are hard, we can’t get discouraged. When life gets tough, that when we have to take the only tool we have, our paintbrushes, pick them up, and paint our way out of our problems. Art is the only thing powerful enough and pure enough to save us.”

He holds on to this hopeful vision of arts in Haiti as he serves as a mentor and leader for all of our students and younger artists in Jacmel who are just starting out in their careers. It might seem like a waste of time for young creatives to decide to pursue the arts during difficult times such as what Haiti is enduring currently, but with experienced artists like Vital providing guidance, there are a lot of reasons to remain optimistic. Vitale also serves as a consistent ambassador for Jacmel arts through his travels and international exhibition of his works. He has been honored to show works in the United States, Guadeloupe, the Dominican Republic, and Venezuela. He continues to encourage people to visit Haiti and invest in tourism here. Whether he’s traveling and promoting Haitian arts in other countries, or advising young Jacmeliens locally, Vital’s message remains the same. “Don’t be afraid of Haiti. There is hope in the Art.”



March Artist of the Month – Frantz Aladin


Once, at a public event for the artists of the Jacmel Arts Center to showcase their work, Frantz Aladin got up on stage with a papier-mâché bust that he had created, set the bust on the ground, then stepped up onto it with one foot on each shoulder and stood on top of it while presenting. He then jumped up and down with his full weight on the bust to prove the strength of the papier-mâché sculpture. The audience was stunned and walked away with an undeniable impression etched in their minds of just how uniquely sturdy and high quality Aladin’s work was. It was representative of what makes Jacmel papier-mâché some of the most powerful and most provocative in the world. Where elsewhere papier-mâché is often considered little more than a crafty hobby, in Jacmel the artists have taken their unique approaches to the medium and elevated it to a formidable artform that is respected around the world.

Frantz Aladin has been at the forefront of this movement to redefine the possibilities that this artform holds for his whole career. He says that the possibilities with papier-mâché are really infinite as long as you learn how to do it right. He says that you have to really spend time not just learning the steps necessary to make a papier-mache product, but you really have to get to know the artform on an intimate level to understand its magic. “Papier-mâché is more than just a way to make something, it is a rich and transformative way to reveal who we are as people.”

IMG_1451.CR2Aladin started learning papier-mâché early on as a child. He would always make masks for his neighbor kids and they would wear them while they put on shows for their families and friends. As a teenager he got his first opportunity to use his skills in papier-mâché to contribute to the carnival celebrations in Jacmel by working with a mardi gras troupe that paraded in what is called the “zel Materen” which is a traditional Jacmel carnival costume that includes wings on the back of the paraders that they are able to clack together in choreographed movements to create identifiable rhythms in the street celebrations. Throughout the next few years he got involved in more and more mardi gras troupes including the “laset kod” and the “chaloska” groups, all of which tell different stories from Haitian history and folklore.

Since then he has been able to develop his papier-mâché art into a full profession with which he supports his family including his one daughter. He has had the unique opportunity to participate in exchanges with artists from Europe, Mexico, the United States, and all over the world. Every time he shares Jacmel’s regional techniques with artists from other cultures, he takes pride in seeing how these ideas expand their own awareness of what papier-mâché can accomplish. As an artist he says that he’s always searching for ways to evolve his own art and part of that comes from sharing ideas across cultures. One of the highlights from his career was when he was able to participate in a program after the earthquake where Jacmel papier-mâché artists were able to create a number of home interior products that were then sold through Macy’s stores internationally. Although that program is no longer active, he hopes that the international market continues to find ways to invest in the value of Jacmel’s papier-mâché riches.

IMG_3911He is one of the artists in Jacmel, that no matter what hardships may come our way, he remains optimistic in the tough times. Even now when the tourist industry has completely fizzled out and international interest in Haiti’s art has waned significantly, he holds on to his faith in the value of the work that he does and believes that the world will come back around to see that value once again too. He remains a fighter for the future of the Jacmel Arts Center as well and says that his number one priority is for the artists themselves to gain full ownership of their space and to build stronger international partnerships to reinforce their capacity as artists to make a change in their society. It is through the imagination and optimism of artists like Aladin that we at the Arts Center are able to hold on to hope ourselves for what is to come. Just as papier-mâché holds infinite possibilities, so too does the future of the Jacmel Arts Center in the hands of capable creatives like Aladin.

A Creative Oasis in the Midst of Chaos


As Crisis Grips Haiti, SAJ Remains a Center of Calm and Creativity

The country of Haiti is in the midst of a political and social crisis at the moment with the capitol city consumed with protests, demonstrations, and riots, some of which have turned violent. These events cause effects that ricochet throughout the provinces in a multitude of ways big and small. While we in Jacmel have also experienced a number of protests lately that have shut down public life with road blocks and people marching in the streets, the real affects are felt in the blockage of goods and services that we haven’t been able to access for more than 10 days now. Because transportation is unable to come from Port-au-Prince, food, water, gas, propane, and all other necessities have been unavailable during this time. Local businesses including banks have been closed down as well as most schools and clinics and hospital services. We have been in a state of lockdown as we follow the situation in the capitol and wait for things to shift back to normal.

The reasons for these protests are deep and diverse, all springing from a number of factors that have made life more and more difficult for the Haitian people to sustain. The result of which is that each day remains uncertain for Haitians. From day to day they’re not sure if tomorrow they will have a president or functioning government, or food to feed their families, or a doctor to treat them if they fall ill. All they know is that life is getting more expensive and for many they’ve reached their breaking point.

How does this all affect us at the Jacmel Arts Center? In our community, although we are not immune to the violence or unrest, we remain relatively safe and calm. The people of Jacmel, after a few days of complete shut down, have tried to start returning to life as normal despite the chaos that continues to grip much of the country. Even when the unrest has been at its peak, the Arts Center has remained open to serve our artists members and to provide them with a space to gather collectively and express themselves in safe and productive ways. While images of roads blocked by piles of burning tires and crowds of angry protestors fill the news out of Port-au-Prince, within the walls of the Jacmel Arts Center, every day there has continued to be paintings being produced, papier-mache carnival masks being sculpted, drums being beat and dancers moving to the rhythms. The artists assemble and in the midst of creation they are able to discuss the state of their country and process their feelings on what they see developing in the streets.
What’s been missing from the Arts Center are visitors, tourists, and customers. We are usually able to depend on February being one of our busiest times of the year at the center due to the boost that our city’s carnival activities bring to the arts and culture sector here. In fact, ever since similar protests broke out last summer, we have been counting on the carnival business boost to help us make up the ground that we lost in the 7 months that followed those protests which completely depleted travel and tourism for the time. Now these demonstrations have broken out even worse than those of the summer and have set us even farther back than before. The vast majority of those who had planned to visit Jacmel for carnival have now canceled their plans, deeming the country too dangerous to visit at this time. Even the majority of foreign expatriates that live in the country long-term have decided to evacuate and wait for safer times to return. The United States State Department has increased the travel warning for Haiti to a Level 4, telling people to absolutely not travel here at this time.

51718695_305095560360575_5855994900855652352_nWe can’t tell you just how devastating this is to a business like ours that depends so greatly on a healthy tourism industry to sustain our own operations. We were already barely hanging on financially to keep our doors open, but now with this setback, we are truly unsure about our own future as an arts center as well. Every day that we are able to stay open and operating to bring our community’s culture to the public, is a blessing that we do not take for granted. Our center is a vital resource to our more than 100 member artists, our more than 50 students, our resident dance troupes and theater groups, the children that take part in our youth programs and the public that rely on us to bring them the best in local art and culture. 52576402_355891831676758_7230404471598088192_nFor all of them we need to remain a place of stability and inspiration.

That is why we are asking your help in this time of crisis to aid us in raising an emergency fund of $10,000 to help ensure that stability now and into the near future. This money will be used to secure our rent during the months that our business has fallen victim to the circumstances of the country. We will also use these funds to begin offering a daily meal to our artists within the arts center compound. Many of our artists spend their entire days at the center producing and rehearsing and nourishing them in a time of scarcity has become a priority to us so that they may keep creating the art that their culture demands. During times of instability such as this, most schools in the area also remain closed, so we would like to use these funds to offer new opportunities for children to come express themselves creatively in a safe and affirming environment as well. By donating today, you will help us accomplish all of this. Use this link to make your contribution to our emergency fund.
Thank You!
The Artists and Administration of the Jacmel Arts Center



November Artist of the Month – Blaise Emilson


Blaise Emilson started out his career in the arts as a frog. At the age of 9 he was recruited to dance in a Mardi Gras street performer troupe known as “krapo” which, at the time, was a brand new addition to the Jacmel carnival scene. The troupe dressed all in green like frogs while the smallest and most flexible dancer in the group balances on top of two bamboo poles held in the air by the others and does all sorts of tricks and contortions to the guaranteed cheers of any crowd that gathers to watch. When Blaise was recruited to be a part of the group, he was the one assigned to dance on top of the poles and quickly became widely loved throughout the city for his performances. It was when the krapo troupe performed at a local orphanage called Trinity House that Blaise’s life took a dramatic change. The staff at the children’s home recognized his talent and invited him to come live there with the other children. Although Blaise wasn’t an orphan, his mother was convinced that he’d have a better chance at life if he was raised in the institution rather than in her care, so she registered him to move in to the orphanage. Shortly after moving in, however, the staff decided to move him to their partner location in Port-au-Prince, St. Joseph’s.

At his new home he was enrolled in classes in art, dance, drumming, and piano. He immediately fell in love with all forms of creative expression, especially painting and drumming, and his natural talent was evident from the start. At school he started getting in trouble because instead of taking notes on math or history during class he was always drawing in his notebooks instead. He remembers one teacher in particular who punished him with a severe beating for his drawings in his notebook. He remembers as he was getting the beating he told the teacher that someday she’d see he was going to be a great artist and she’d regret beating him. Sure enough, years later he ran into that teacher in the street and got to prove to her what he’d become by showing her photos of the paintings that he’d created and sold and the success that he’d built for himself. He credits that success to his mentor, a painter from Petionville named Ralph Elan. Blaise was introduced to Elan while living at St. Joseph’s and started taking painting lessons from him. Elan is the one who began teaching Blaise watercolor painting and then later on, acrylics. Blaise really took to the watercolors and remembers the firs42108003_10209580453827961_8717547025370972160_ot one that he sold at the age of 15 to a foreign visitor to the boy’s home. It was a market scene. After that he started painting more and more and everytime visitors came to the orphanage, he would display his watercolors and sell to them to make some money for himself. Eventually others at the home, including the staff, were seeing how much money he was making from his art and it caused some to get jealous of him and that started to make life more difficult for him as they would intentionally leave him out of activities. He didn’t understand why, just like in grade school before, he was being punished for being talented. He was just pursuing his passion and people hated him for it. But he didn’t give up because he knew it’s what it was what he was meant to do. He wasn’t going to let anyone dim the light of his gifts. It only encouraged him to shine brighter. It was the rift in his relationships at the boys’ home that eventually sent him back to Jacmel where he returned to live with his family now as an adult.

He found his strength to press on not only through his art but also through his faith. He said that he would often go to the Bible to find encouragement and guidance. Still to this day he says that much of his inspiration comes from the scriptures because just as those words have a powerful message of how to live, he hopes that his art can also draw viewers closer to God and speak to them in inspirational ways. He does this through a variety of styles, in fact, he says that he doesn’t have any one style. He believes that just as God speaks to people in different ways, so must his art. Art is supposed to be a tool for people to solve their problems in life so different kinds of art can speak to viewers in different ways depending on what they are facing in their life at that moment. That is why you will see Blaise create art that could be described as abstract, or realist, or surrealist, or other styles. He tries to stay versatile. He also wants to make art for a greater purpose than just to sell it. So he wants viewers to find meaning within the work whether they’re rich or poor.


IMG_5502One of his favorite subjects is children because of his own upbringing in children’s homes he has had a very personal look at the different problems that the children of Haiti face. He says that Haiti is a country of more problems than solutions, but he wants his art to be a weapon with which he can fight for greater solutions and justice for those who don’t have a voice of their own. That includes the children that need better access to education and health and so much more. It also includes the merchant women that often are portrayed in his work because they are the most humiliated and disregarded even though they are one of the most vital parts of Haitian society.

Blaise’s concern for the children extends beyond the canvas, however. He now goes back to Trinity House regularly and teaches the children there painting and drumming. He knows that every kid deserves a chance to pursue their dreams and believe in themselves no matter who they are or where they come from. For that reason he’s earned the nickname, “Pastor” from the children for his compassionate approach to working with them. He knows that the work that he will leave behind as an artist may inspire one of them to become the change that their society needs. He knows that everything that he creates will have a life of its own even beyond his own life and that motivates him to keep working. Throughout his life he’s had to fight to prove that his talent was something to embrace and not to resist. Now he’s not taking any opportunity for granted knowing that the future will be brighter if we help others to shine their lights brighter too.

September Artist of the Month – Jadrix Louis



Jadrix was raised with his brother by their single mother who made an income by doing embroidery and lace work, so from a young age he was influenced by her example of creative craft. She passed away when he was only twelve years old, but before she did, she introduced him to some artist friends of hers who began to teach and train him in the arts. He was born and raised in Jacmel, so when FOSAJ opened up in his home community in 2003, he was excited to have access to an arts education locally. He enrolled in FOSAJ’s programs early on and began learning the nuances of being a fine artist and painter from the organization’s founders, Patrick Boucard and Kate Tarcott Cross.

35078153_1977912269188053_122717871460581376_oHe’s always been drawn to abstract styles of painting because he believes it’s the best way to translate the spiritual nature of art into visual form. Painting has always been a sort of spiritual practice for him, a form of mediation and therapy. Whenever he is stressed or overwhelmed by the challenges of life, he goes to the canvas. When he is before the canvas and applying the paint, he says he often feels like it is not him anymore creating the art, but simply allowing his body to follow the movements of the spirits. His ultimate goal through his work is to transmit light into the world. He says that he understands that God shines light on everything that is on earth and hopes that his art can be a vehicle for the light and divine energy to be transmitted to every viewer that sees it. In that way, no matter where a work of his might end up, he hopes that it may be a benediction into the world wherever it is displayed.

IMG_3016He draws inspiration for the subjects of his art from many places, mainly from the African roots of his culture and from the elders within his own community. At the age of 38, he looks upon his elders with great respect and is constantly paying attention to the wisdom that they share. That wisdom often echoes in his mind as he paints. He also looks to his environment for inspiration. Often he will find unconventional objects to paint on and integrate into his work such as broken chairs, pieces of driftwood, or even a discarded toilet seat. When he paints on these objects his intention is always to give new life to objects that others discard and never let anything go to waste.

Now a single father raising two children of his own, Jadrix hopes the best for their futures in particular, whether they become artists or not, he knows that art will have an influence in their lives. He sees the work of Sant d’A Jakmel as vital to the community for Haitians of all ages. He worries about the children who are sick in the hospital who will never get the chance to discover their artistic gifts because their circumstances in life that are exacerbated by the poverty they live in, prevent them from learning art and discovering their skills. He regrets all of the older generation of Haitians that were never free to pursue their artistic paths because the demands of life in such a difficult environment never allowed them the freedom to become artists. There are so many of his fellow Haitians that have the natural talents to become great artists but don’t have access to the opportunities to nurture those talents. So the more and more that the services of SAJ can reach more and more people in his region and his country, the more hope that he feels his society will have for the future.

Thank you to all of our friends and supporters who make those programs possible for artists like Jadrix. May his art and all of the art from our center continue to be a blessing to you all.